I ignite clarity in all. A window to the Art of Chuck Todd

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Devin Farney Poster and CD cover for Brilliant Ideas, Advertising

Devin Farney Poster and CD cover for Brilliant Ideas, Advertising

Chuck Todd Illustration for Brilliant Ideas advertising for promotional material and CD cover “Introducing the Music of Devin Farney” Pencil and Photoshop.
For this and more of my illustrations go to my Directory of Illustration portfolio:
http://goo.gl/oQZCQq
or visit my website: http://www.chucktodd.net
Art direction by Briliiant Ideas, Advertising (copyright)

For more on the music of Devin Farney and Brilliant Ideas go to:
http://biadverts.com/2013/07/july-22-2013-the-devin-farney-press-release-is-on/

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IDEA INVESTING

Illustration by Chuck Todd.  Story by Peter Delevett. Centerpiece design by Daymond Gascon. For the Monday TECHNOLOGY section in Bay Area News Group print and digital editions

How do you illustrate the concept of Investing in Ideas? One of the two startups highlighted in Peter Delevett’s story called MOTIF aggregates companies into motifs or ideas. Say an investor likes PETS. Yup you can invest in a grouping of PET companies.  Or GREEN companies, or FAST FOOD companies or MOBILE TECH companies, etc.

I thought of an idea taking off, earning money. The concept of turning light bulbs into a flock of ideas flying up and away popped into my head. After a couple of thumbnails the idea gelled. I used $100 bills to construct the wings, which created some fun, bird like patterns. I kept this one loose and fun, I painted up one light bulb and incorporated the finished wings all in photoshop. Then I duplicated the ‘light bulb with wings’ image on multiple layers and made the smaller ones more transparent. I used my artistic license to keep an old style of light bulb…allowing me to leave a subtle birdlike beak on the bulb.

This appeared in Monday print editions. To read Peter’s story online go here:

http://goo.gl/zRLCm


THE INFLUENCE OF BARRON STOREY

I wanted to share an illustration project I did a few years ago for the Contra Costa Times that shows the influence on my work of master illustrator Barron Storey. Barron has done everything as an illustrator, book covers, Time magazine covers, National Geographic…he has a mural in the American Museum of Natural History and portraits hanging in the National Portrait Gallery.

If I have ever seen true genius at work it is looking at a Barron Storey original…once in illustrator Bill Koeb’s old apartment in San Francisco and I have had the luck of catching a couple of gallery shows in the city over the years.  His sketchbooks are legend: His personal visual journals and his graphic novel work have influenced and inspired many artists: Dave McKean, Bill Sienkiewicz, Greg Spalenka, Bill Koeb, George Pratt and Kent Williams among them.

As a teacher he may be without a peer…so I hear. Barron is the reason I moved to the Bay Area in 1996 to pursue a graduate degree in illustration at the Academy or Art in San Francisco. I researched the influences of artists that influenced me…many of them cited Barron as an important influence. That’s how I discovered the Academy of Art and how I ended up in the Bay Area. My timing was a bit late. By the time I started my graduate courses in the fall of 1996, Barron was no longer teaching at the school, but was teaching at California College of Arts and Crafts and at San Jose State. Although I didn’t take one of Barron’s classes I was taught by artists who studied with Barron (Carol Nunnelly and my graduate advisor Bill Koeb)…so I was able to absorb some of his wisdom though them.

I have had the privilege of meeting Barron a few times. The first was at a gathering at Bill Koeb’s pad in San Francisco probably in 2000. About 5 years ago I was attending the  Alternative Press Expo (APE) in San Francisco with Gary Amaro ( another of my graduate advisors. ) I had some samples with me including these Cancer Journey pieces.

About the Cancer Journey project. Contra Costa Times writer Dan Borenstein penned a five part series in 2007 on his harrowing experience with cancer and cancer treatments.  I was honored and humbled by the challenge of illustrating each installment of the series. ( And indebted to Dan for sharing his story and giving me such a poignant project to be a part of.)  I came up with the thought of a sequence of panels, interconnected that could each tell each part of the story individually. But when combined –on the final day of the series – made a sequence of panels telling the more complete narrative. The layering of elements, with drawings and line work is a direct influence of Barron. Not as much in the technique (who the hell can draw as well as Barron Storey?)…but in an approach to storytelling that I have soaked in from Barron’s journals.

Coming full circle: At the Alternative Press Expo, Gary and I found a table that Barron had been at to sign his journal book “LIFE AFTER BLACK.” I bought the book, word was that Barron was around and would be back. As we walked around the hall looking at the variety of local artists and creators we bumped into Barron. We talked for a bit and I asked if he wouldn’t mind taking a quick look at some of my work. He very graciously did…and when he saw the Cancer Journey images has asked me about them. I gave him a quick rundown of what it was about and said that I created them for the newspaper. He said something to the effect “Amazing work. So great that they published this in a newspaper.” I honestly died and went to heaven. I felt like I had come from the world of wanting to be…to being. That I had ascended the mountain top after toiling and struggling for years on the climb. From a dream of wanting to be better than I was as a visual journalist and illustrator in Missouri. From a dream of studying with the master in California and falling short. To finally, the master himself holding my work and finding value in it.

Barron continues to inspire me and give me something to aspire to. If you are not familiar with Barron’s work you should be. Here is a link

http://www.barronstorey.com/

Here is the note Barron scribed for me in his book “Life After Black.” Thanks Barron.


CONNECTION POINT

In Today’s TECHNOLOGY section in the San Jose Mercury News and Contra Costa Times is my illustration for a Peter Delevett story on new startup services that allow users to stay connected to friends from multiple lists and networks from one central location. Many of the services use geo-location features that allows users to track friends, and their locations, in real time.  Here is a link to the story:

http://goo.gl/GjSFY

This was a super quick turnaround. Thursday I had a thumbnail sketch approved, but I wasn’t able to start illustrating on the finished piece until Friday morning. The concept I came up with conveys a connection to many contacts in multiple networks. Of course this meant on Friday morning I cranked out 28 different faces in my sketchbook. ( I felt like I was doing a homework assignment for the late, great Barbara Bradley at the Academy of Art in San Francisco!) About two thirds of the faces are from photo reference, about a third are invented. ( I snuck in a few friends, family and even jazz musician Joshua Redman.) The main figure holds up her cell phone into the singular connection point that all of the other networks of friends are joined to. The circles were created in illustrator, the faces and figure were sketches I scanned in and rest was painted and combined in Photoshop. Starting on the faces at 9 a.m. I turned in the finished illustration to the designer at 5:30 p.m. I can’t think of a better way to spend a day!

Here is how to looked on the page, design by the talented Daymond Gascon:


OAKLAND BLUES

Billie Holliday, Aretha Franklin, Lowell Fulson and Bob Geddins

Rich history of blues in Oakland is being remembered with a blueswalk installation

An illustration and hand drawn map for a graphic the Contra Costa Times and Oakland Tribune newspapers that ran in Tuesday (Dec. 20, 2011) editions. The best projects always seem to land in your lap when you have the least time. This tight deadline project that came up just before I left on vacation. The subject matter was too rich to pass up going the extra mile on. I learned a lot about the Blues history on Oakland’s Seventh Street. And I was able to illustrate quick portraits of Billie Holiday, Aretha Franklin and Lowell Fulson who were some of the legends that performed on Seventh Street during its heyday. Also a key figure in the blues scene in Oakland was Bob Geddins who after being inspired by west coast blues great Fulson switched his BIG TOWN record label from gospel to blues.

Thanks to Bay Area News Group writer Jim Harrington for the story and helping me dig up reference materials and to Pai and Dave Johnson at Bay Area News Group for getting the project finished up, adding color and more info in the maps for publication in my absence.

For this one I did separate quick sketches based on historic photos and scanned in the line art. I played with the composition and did the painting in photoshop. Very pleased with the results even for a quick turnaround. Now, I’m hungry to tackle more music and history subjects.


Jazz Greats: Duke Ellington, Louie Armstrong, Benny Goodman, Charles Mingus and Chick Webb

Jazz Greats: Duke Ellington, Louie Armstrong, Benny Goodman, Charles Mingus, Chick Webb created as an illustration for LeapFrog by Chuck Todd. (Pencil, Watercolor and Acrylic.)

In honor of Smithsonian’s Jazz Appreciation Month in April my friend Ed Peaco just posted on his blog about one of Duke Ellington’s works. “Harlem Air Shaft.” It inspired me to share this fun piece I did a few years back for LeapFrog.

You should check out Ed’s post: http://edpeaco.blogspot.com/2011/04/can-you-hear-smell-of-dried-fish.html

I created this several years back for a Chicago design firm for their client LeapFrog. LeapFrog does interactive, fun and educational products for kids. This was for an interactive kids magazine. Using the LeapFrog reader kids could use a stylus and click on different images on the pages and hear information on each musician. They could click on each piano key and play music.  In the yellow area of the mural the music and lyrics of “When the Saints Go Marching In”  it would enable the kids to select the music and hear it…or play the notes, etc.

In my rough sketch all of the jazz musicians in the composition were completely different characters and fictitious…with a variety of instruments. The mural idea was part of the assignment with the family dancing in the foreground. I added the concept of the mural itself being in the process of being painted.

After submitting my composition, the design firm responded that the client loves it…but wants to change this character to Duke Ellington, this one to Benny Goodman…etc. Glad they loved it. I got busy with research and turned in a real dandy on time. I got paid, but unfortunately the piece never got published by LeapFrog. They stopped publication of the magazine it was for. Too bad. But I loved how this one turned out and am really appreciative that I got to illustrate all of these jazz icons.