This is a very disturbing trend. Disturbing and scary make for some great visuals. So…OK, I admit it. I had a lot of fun with this illustration for the TECHNOLOGY section published May 14 in the San Jose Mercury News and Contra Costa Times. According to the story by the Merc’s Steve Johnson, cybercrooks are using “malvertisements” to steal data, infect computers and wreak havoc. Codes are hidden in these malicious ads…and the ads can show up on legitimate sites that screen for ads gone wrong. Not only are the malware codes hidden, a user does not even have to click on the ad to become a victim. Experts say this trend is only going to get worse. This story is worth a read to understand the problem and to get a few tips on how to protect yourself. Here is a link to Steve’s story
When I came up with the motif of the sinister shadow of a clawed hand and arm coming out of a computer everything else fell into place. The trick was to show someone getting attacked, but being unaware. I had the woman looking at a website with ads on the side. Out of one of the ads the shadow, filled with malware code, shoots out and wraps around. The hand is just about to get the woman. I hit on the idea of binary code interspersed with the word “MALVERTISEMENT” to layer into the shadow. I would have to say this one is one of my favorites so far this year for Bay Area News Group.
Here is how it looked in print across the Bay Area News Group papers, with a great page design by business design chief, Jennifer Morris.
A quick post on a recent illustration for a Jessica Yadegaran column for the Contra Costa Times and San Jose Mercury News. The column was about her newfound freedom from the trappings of her iPhone. Jessica left it in the back seat of a plane after letting her kid play with the phone during the flight. She was unable to get the phone back and was forced to revert back to her old phone. At first she missed her iPhone and felt lost without it. But she soon realized she was spending more time enjoying life in the moment, rather than respond to each text, tweet or status update. Here is a link to Jessica’s story:
I played with the concepts of being trapped, shackled or imprisoned to contrast the idea of freedom. Also I tried to factor in how to depict the lost iPhone. I started playing with the idea of flight to symbolize freedom. The birdcage seemed like a great way to express being trapped. For the final solution I created the iPhone in illustrator and used the old cartooning trick of using dashed lines to indicate something that is a ghost or invisible. The rest was created in photoshop. The line art of style of the birdcage further contrasts the swirls and looser more painterly approach to the background and the woman with wings flying out of the cage.
An illustration and hand drawn map for a graphic the Contra Costa Times and Oakland Tribune newspapers that ran in Tuesday (Dec. 20, 2011) editions. The best projects always seem to land in your lap when you have the least time. This tight deadline project that came up just before I left on vacation. The subject matter was too rich to pass up going the extra mile on. I learned a lot about the Blues history on Oakland’s Seventh Street. And I was able to illustrate quick portraits of Billie Holiday, Aretha Franklin and Lowell Fulson who were some of the legends that performed on Seventh Street during its heyday. Also a key figure in the blues scene in Oakland was Bob Geddins who after being inspired by west coast blues great Fulson switched his BIG TOWN record label from gospel to blues.
Thanks to Bay Area News Group writer Jim Harrington for the story and helping me dig up reference materials and to Pai and Dave Johnson at Bay Area News Group for getting the project finished up, adding color and more info in the maps for publication in my absence.
For this one I did separate quick sketches based on historic photos and scanned in the line art. I played with the composition and did the painting in photoshop. Very pleased with the results even for a quick turnaround. Now, I’m hungry to tackle more music and history subjects.
My illustration for a story on the “Mack God” for the Oakland Tribune
The Mack God refers to a street code of retribution and can be found in song lyrics. It is a kind of “Karmic Vengeance” that some kids on the streets in Oakland have adopted as their distorted view of reality outside of the rules of society. In the Oakland Tribune story a teenager (who was kicked out of his house onto the streets by his mother at age 13) describes the quasi religious code in these terms: “The Mack God is in the streets, and the people doing bad things that live this life go by the Mack God”
Chilling and sad for young kids to have such a violent and distorted view that becomes their reality.
For the illustration I wanted to focus on the psychological state of a kid in this environment.
From my early thumbnails and rough sketches I hit on the idea of using religious iconography of a halo. As I worked out my ideas I started playing around with the tools of this “Mack God” religion – the tools of violence – hand guns, rifles, knives etc. As I explored patterns I realized that placing two gun barrels parallel to each other with the handles opposite form a cross shape. It clicked when I placed the guns around the outside frame of the halo. It became an abstraction, like a decoration from an illuminated manuscript or altar painting. I think in the final result many of the colleagues I have shown the image to didn’t see the pattern as guns at first. I love work that has layers of reading…when the guns reveal to the viewer it has a strong impact.
I kept the figure in shadows and used blood red through the painting to give a visceral and violent edge. Some indications of a city background and a shadow of a figure on the sidewalk finished out the image.
I believe this is one of the strongest, most provocative images I have done in a while. I think the contrast of the sort of transcendent teenage figure with the gun halo and the deep, violent reds create a dramatic contrast making this a very disturbing image. A very distorted religious painting.
Here I am posting some of the rough sketches and the thumbnails along with the finished piece so you get a window into my process. The main image is predominately an acrylic painting on bristol board with nupastel and graphite. I did some additional work in photoshop for the end result.
On a personal note: I will be going to WonderCon in San Francisco this Saturday, April 2. Hope to meet up with other illustrators and soak in a lot of ideas, get recharged and inspired.