I wanted to share an illustration project I did a few years ago for the Contra Costa Times that shows the influence on my work of master illustrator Barron Storey. Barron has done everything as an illustrator, book covers, Time magazine covers, National Geographic…he has a mural in the American Museum of Natural History and portraits hanging in the National Portrait Gallery.
If I have ever seen true genius at work it is looking at a Barron Storey original…once in illustrator Bill Koeb’s old apartment in San Francisco and I have had the luck of catching a couple of gallery shows in the city over the years. His sketchbooks are legend: His personal visual journals and his graphic novel work have influenced and inspired many artists: Dave McKean, Bill Sienkiewicz, Greg Spalenka, Bill Koeb, George Pratt and Kent Williams among them.
As a teacher he may be without a peer…so I hear. Barron is the reason I moved to the Bay Area in 1996 to pursue a graduate degree in illustration at the Academy or Art in San Francisco. I researched the influences of artists that influenced me…many of them cited Barron as an important influence. That’s how I discovered the Academy of Art and how I ended up in the Bay Area. My timing was a bit late. By the time I started my graduate courses in the fall of 1996, Barron was no longer teaching at the school, but was teaching at California College of Arts and Crafts and at San Jose State. Although I didn’t take one of Barron’s classes I was taught by artists who studied with Barron (Carol Nunnelly and my graduate advisor Bill Koeb)…so I was able to absorb some of his wisdom though them.
I have had the privilege of meeting Barron a few times. The first was at a gathering at Bill Koeb’s pad in San Francisco probably in 2000. About 5 years ago I was attending the Alternative Press Expo (APE) in San Francisco with Gary Amaro ( another of my graduate advisors. ) I had some samples with me including these Cancer Journey pieces.
About the Cancer Journey project. Contra Costa Times writer Dan Borenstein penned a five part series in 2007 on his harrowing experience with cancer and cancer treatments. I was honored and humbled by the challenge of illustrating each installment of the series. ( And indebted to Dan for sharing his story and giving me such a poignant project to be a part of.) I came up with the thought of a sequence of panels, interconnected that could each tell each part of the story individually. But when combined –on the final day of the series – made a sequence of panels telling the more complete narrative. The layering of elements, with drawings and line work is a direct influence of Barron. Not as much in the technique (who the hell can draw as well as Barron Storey?)…but in an approach to storytelling that I have soaked in from Barron’s journals.
Coming full circle: At the Alternative Press Expo, Gary and I found a table that Barron had been at to sign his journal book “LIFE AFTER BLACK.” I bought the book, word was that Barron was around and would be back. As we walked around the hall looking at the variety of local artists and creators we bumped into Barron. We talked for a bit and I asked if he wouldn’t mind taking a quick look at some of my work. He very graciously did…and when he saw the Cancer Journey images has asked me about them. I gave him a quick rundown of what it was about and said that I created them for the newspaper. He said something to the effect “Amazing work. So great that they published this in a newspaper.” I honestly died and went to heaven. I felt like I had come from the world of wanting to be…to being. That I had ascended the mountain top after toiling and struggling for years on the climb. From a dream of wanting to be better than I was as a visual journalist and illustrator in Missouri. From a dream of studying with the master in California and falling short. To finally, the master himself holding my work and finding value in it.
Barron continues to inspire me and give me something to aspire to. If you are not familiar with Barron’s work you should be. Here is a link
Here is the note Barron scribed for me in his book “Life After Black.” Thanks Barron.
This is a very disturbing trend. Disturbing and scary make for some great visuals. So…OK, I admit it. I had a lot of fun with this illustration for the TECHNOLOGY section published May 14 in the San Jose Mercury News and Contra Costa Times. According to the story by the Merc’s Steve Johnson, cybercrooks are using “malvertisements” to steal data, infect computers and wreak havoc. Codes are hidden in these malicious ads…and the ads can show up on legitimate sites that screen for ads gone wrong. Not only are the malware codes hidden, a user does not even have to click on the ad to become a victim. Experts say this trend is only going to get worse. This story is worth a read to understand the problem and to get a few tips on how to protect yourself. Here is a link to Steve’s story
When I came up with the motif of the sinister shadow of a clawed hand and arm coming out of a computer everything else fell into place. The trick was to show someone getting attacked, but being unaware. I had the woman looking at a website with ads on the side. Out of one of the ads the shadow, filled with malware code, shoots out and wraps around. The hand is just about to get the woman. I hit on the idea of binary code interspersed with the word “MALVERTISEMENT” to layer into the shadow. I would have to say this one is one of my favorites so far this year for Bay Area News Group.
Here is how it looked in print across the Bay Area News Group papers, with a great page design by business design chief, Jennifer Morris.
A quick post on a recent illustration for a Jessica Yadegaran column for the Contra Costa Times and San Jose Mercury News. The column was about her newfound freedom from the trappings of her iPhone. Jessica left it in the back seat of a plane after letting her kid play with the phone during the flight. She was unable to get the phone back and was forced to revert back to her old phone. At first she missed her iPhone and felt lost without it. But she soon realized she was spending more time enjoying life in the moment, rather than respond to each text, tweet or status update. Here is a link to Jessica’s story:
I played with the concepts of being trapped, shackled or imprisoned to contrast the idea of freedom. Also I tried to factor in how to depict the lost iPhone. I started playing with the idea of flight to symbolize freedom. The birdcage seemed like a great way to express being trapped. For the final solution I created the iPhone in illustrator and used the old cartooning trick of using dashed lines to indicate something that is a ghost or invisible. The rest was created in photoshop. The line art of style of the birdcage further contrasts the swirls and looser more painterly approach to the background and the woman with wings flying out of the cage.