Since 2016 I have had the pleasure of creating illustrations for Global Press Journal, and in recent months I’ve been creating illustrations for GPJ Passport Podcasts on a variety of topics. It has been a joy working with the talented folks at GPJ including Cristi Hegranes (CEO and Founder), Krista Kapralos (Enterprise Editor) and on the podcasts with Kyana Moghadam (Engagement Producer and Podcast Host).
For great journalism stories from around the world go to https://globalpressjournal.com/
and check out the Passport extra podcast content at: https://globalpressjournal.com/passport-podcasts/
More of my artwork can be seen at http://www.chucktodd.net
Revenge? Shouldn’t I be wishing everyone Happy New Year? Perhaps this isn’t the most optimistic note to close out 2011 on, but this was one of the edgier illustrations I did in 2011.
This image was for a story on revenge by Bay Area News Group writer Jessica Yadegaran from early December (2011). Viewers revel in watching shows like ABC’s REVENGE where a young woman named Emily Thorne gets even with those who destroyed her family. We dream about getting even with a bad boss or teaching back-stabbing friend a lesson. According to experts in Jessica’s story revenge can even be healthy…so long as it does not go over the line and stays safe and legal. According to the story, we often work out our injustices in our dreams, and quench our desire to get even without actually having to act them out.
I suspect this is one reason why Revenge tales are so popular in movies, books and comics. They are a harmless way of fantasizing about righting wrongs without actually doing the dirty work or facing the consequences.
The woman in the illustration is based on REVENGE’s heroine played by actress Emily VanCamp. I did a bunch of thumbnail sketches and came up with this solution replete with religious symbols. Of course the Eye for and Eye motif is a biblical reference to revenge. I like the idea of exchanging one card of an eye for another with flames trailing behind and the light trails covering her eyes. I worked to depict the tension between right and wrong. The femme fatale figure is powerful and in control, she has angel wings…but perhaps she is more an angel of death. The deep reds and shadows create a dark mood. I did an unusual technique, using a woodless pencil, brush pen and pen and ink on paper. The color was done in photoshop.
I get to work out all of my revenge fantasies with my artwork. How fun is that? I think I’ll do more in 2012. May your New Year be full of fun, fantasy and righting wrongs! Actually, that does sound optimistic.
My illustration for a story on the “Mack God” for the Oakland Tribune
The Mack God refers to a street code of retribution and can be found in song lyrics. It is a kind of “Karmic Vengeance” that some kids on the streets in Oakland have adopted as their distorted view of reality outside of the rules of society. In the Oakland Tribune story a teenager (who was kicked out of his house onto the streets by his mother at age 13) describes the quasi religious code in these terms: “The Mack God is in the streets, and the people doing bad things that live this life go by the Mack God”
Chilling and sad for young kids to have such a violent and distorted view that becomes their reality.
For the illustration I wanted to focus on the psychological state of a kid in this environment.
From my early thumbnails and rough sketches I hit on the idea of using religious iconography of a halo. As I worked out my ideas I started playing around with the tools of this “Mack God” religion – the tools of violence – hand guns, rifles, knives etc. As I explored patterns I realized that placing two gun barrels parallel to each other with the handles opposite form a cross shape. It clicked when I placed the guns around the outside frame of the halo. It became an abstraction, like a decoration from an illuminated manuscript or altar painting. I think in the final result many of the colleagues I have shown the image to didn’t see the pattern as guns at first. I love work that has layers of reading…when the guns reveal to the viewer it has a strong impact.
I kept the figure in shadows and used blood red through the painting to give a visceral and violent edge. Some indications of a city background and a shadow of a figure on the sidewalk finished out the image.
I believe this is one of the strongest, most provocative images I have done in a while. I think the contrast of the sort of transcendent teenage figure with the gun halo and the deep, violent reds create a dramatic contrast making this a very disturbing image. A very distorted religious painting.
Here I am posting some of the rough sketches and the thumbnails along with the finished piece so you get a window into my process. The main image is predominately an acrylic painting on bristol board with nupastel and graphite. I did some additional work in photoshop for the end result.
On a personal note: I will be going to WonderCon in San Francisco this Saturday, April 2. Hope to meet up with other illustrators and soak in a lot of ideas, get recharged and inspired.